 |
|||||||
 |
 |
 |
 |
 |
 |
||
 |
||||||||||||||||||
|
|
||||||||||||||||||
 |
 |
 |
 |
 |
||||||||||||||
 |
 |
 |
 |
 |
||||||||||||||
 |
 |
 |
 |
 |
||||||||||||||
 |
 |
 |
 |
|||||||||||||||
|
I have always been drawn to times of fragility and use photography to explore and legitimize moments of struggle, uncertainty and doubt. My previous work examined these flaws within myself. In the past my pictures were of me and about me.
This new portfolio, You Look at Me like an Emergency, examines the people and places that surround me, and my relationship to them. Instead of setting aside a time to make pictures, I am now photographing times that actually exist. There is a life being lived and I am in it. A life that is fascinating in its flaws, doubts and elations. There is a truth in these generously given portraits. These pictures show me that life can be as magical as fiction. |
||||||||||||||||||
|
HOME |
||||||||||||||||||